Bradley Hart is known for his bubble wrap pieces in which he injects acrylic paint into individual bubbles to create a larger image, reminiscent of Pointillism and LCD monitors. As a conscious nod to both art historical and contemporary forms of pixilation, Hart references the constructive nature of memory and image recollection. Hart’s pieces purposefully feature portraits of friends or familiar cityscapes in order to investigate how his audience derives meaning from a decontextualized “personal album.”